All Cinema. All The Time.
‘Shelby Oaks’ marks producer Chris Stuckmann’s filmmaking debut with an eerie journey of sisterhood and the lengths one would go for family.
‘Shelby Oaks’ (Beyond Fest At American Cinematheque) Review: An Eerie Journey Of Sisterhood Read More
‘Bugonia’ depicts a kind of paranoia that should spark debates around systematic oppression, but ultimately favors style over substance.
‘Bugonia’ (Beyond Fest At American Cinematheque) Review: Conspiracy Thriller With No Intrigue Read More
Luca Guadagnino’s ‘After The Hunt’ presents fascinating questions concerning cancel culture without saying anything worthwhile.
‘After The Hunt’ (Beyond Fest At American Cinematheque) Review: Lackluster Me Too Thriller Read More
Rose Byrne’s gut-wrenching depiction of motherhood elevates ‘If I Had Legs I’d Kick You’ when it gets lost in its dense execution.
‘If I Had Legs I’d Kick You’ (Beyond Fest At American Cinematheque) Review: Rose Byrne’s Best Read More
‘Good Luck, Have Fun, Don’t Die’ marks what will hopefully be a new beginning in Gore Verbinski’s career with an anti-AI odyssey.
‘Good Luck, Have Fun, Don’t Die’ (Beyond Fest at American Cinematheque) Review: Gore Verbinski’s Crucial Return Read More
Emerald Fennell’s exhilarating, horny, and sick ‘Saltburn’ demonstrates the filmmaker’s growth as a storyteller on the page and on the screen!
‘Saltburn’ (Beyond Fest) Non-Spoiler Review – A Sickly Enthralling Psychological Drama Read More